Joshua Citarella, Left Futures

2021

January 28 - March 12, 2021
Miami Design District
Paradise Plaza Suite 133,
151 NE 41st Street

OPEN HOURS:
Monday - Saturday:
11am - 7pm
Sunday:
12pm - 6pm

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ARTIST TALK
February 22nd, 2021
Following the opening of Left Futures, BFI and Bridge will presented a live-streamed climate-fiction roleplaying night, where Joshua Citarella and Holly Jean Buck, author of “After Geoengineering” (2019), will simulated a dystopian scenario game night and attempted to navigate a world of (not-so-distant) future climate collapse.

During a turbulent moment of political transition, where the hypotheses in Joshua Citarella’s research-based art practice are playing out in real time, BFI and Bridge Initiative will premiere Left Futures, as part of the series “Waterproof Miami”, a curatorial partnership between the organizations. The two large-scale, life-size and hyper-detailed photographs are in part inspired by Peter Frase in his book “Four Futures: Life After Capitalism”.

In Citarella’s own words,

“Building on my previous research 20 Interviews, an in-depth survey of Gen Z online political spaces commissioned by Rhizome, these scenes visualize the futures that young political posters imagine for themselves (for better or worse). These hi-res visualizations of labor, leisure and infrastructure, itemize the material and ideological systems of speculative near future societies. They tell narratives of imminently unfolding dystopias; a collapsing empire turns its military inward, a pod-dweller is visited by his hologram fantasy, precarious gig-workers in dense cities commute through extreme weather, or --in a rare glimpse of optimism-- the skyscrapers of finance capitalism are repurposed as vertical farms.

When an unprecedented rise of right-wing ideologies took hold among online youth subcultures in 2016, I set out to find its left-wing counterpart. My practice became an extensive research project into the underbelly of online radical movements. These life-size photographic tableaux are composed of hundreds of individual images through a painstaking process of digital layering and collage. This body of work explores our current political landscape; a period of collapsing empire and withering state power, brought about by the rampant privatization of social life.”

Left Futures is a part of Waterproof Miami, a series of site-specific artists’ projects presented by BFI and Bridge Initiative developed in direct response to the environmental issues facing South Florida, planned through 2021. Each project presents an opportunity for outreach, engagement, and action. Following the opening of Left Futures, BFI and Bridge will present a live-streamed climate-fiction roleplaying night, where Joshua Citarella and Holly Jean Buck, author of “After Geoengineering” (2019), will simulate a dystopian scenario game night and attempt to navigate a world of (not-so-distant) future climate collapse.

Joshua Citarella. Fully Atomized Side Gig Precariot, 2021, Archival Pigment Print, Dibond, 96 x 48”. Life-sized hyper-realistic photograph of a person standing outside on a city street corner, in the rain, looking at their phone.

Installation view of “Left Futures” by Josh Citarella. 2021. Presented by Bas Fisher Invitational and Bridge Initiative. Citarella’s life-sized Fully Atomized Side Gig Precariot is displayed on a white wall, alongside and paralleled to large silver structures.

Installation view of “Left Futures” by Josh Citarella. 2021. Presented by Bas Fisher Invitational and Bridge Initiative. Citarella’s Use-Value Urban Repurposing is displayed on a white wall to the left, as a silver wall text displaying the artist and the exhibition’s purpose is printed on the white wall to the right.

Installation view of “Left Futures” by Josh Citarella. 2021. Presented by Bas Fisher Invitational and Bridge Initiative. White text outside a window pane reads: “Joshua Citarella Left Futures January 28-Feburary 28, 2021”, Citarella’s Use-Value Urban Repurposing is visible beyond the glass.

Installation view of “Left Futures” by Josh Citarella. 2021. Presented by Bas Fisher Invitational and Bridge Initiative. Citarella’s life-sized Fully Atomized Side Gig Precariot is displayed on a white wall to the right, alongside and paralleled to large silver structures.

Installation view of “Left Futures” by Josh Citarella. 2021. Presented by Bas Fisher Invitational and Bridge Initiative. Citarella’s Use-Value Urban Repurposing is displayed on a white wall to the left, as a silver wall text displaying the artist and the exhibition’s purpose is printed on the white wall on the right.

Joshua Citarella. Use-Value Urban Repurposing, 2021, Archival Pigment Print, Dibond, 96 x 48”. Life-sized hyper-realistic photograph of a person reclining in a chair, reading a book inside of an interior filled with hanging plants; skyscrapers are visible in the background window.

Joshua Citarella

Joshua Citarella was born in 1987 in New York and currently lives and works in New York City. He is an adjunct professor at the Rhode Island School of Design and the School of Visual Arts. Citarella has held solo exhibitions at Higher Pictures in New York and Corcoran School of the Arts and Design in D.C. His work is included in the collections of the Stedelijk Museum, Netherlands and the Hood Museum of Art in the U.S.

This artwork is generously supported in part by a Knight Arts Challenge grant from the John S. and James L. Knight Foundation, and with the support of the Andy Warhol Foundation, the Department of State, Division of Cultural Affairs, the Florida Council of Arts and Culture and the State of Florida, The Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners, and the Cowles Charitable Trust. This exhibition space has been made possible with the generous support of Miami Design District, and the artist gives a special thanks to the Peter S. Reed Foundation for their support in the previous year.